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While
growing up in a small village on the North Downs of England,
I developed an understanding of horses and painting and both
subjects have remained a large part of my life. |
I learnt drawing
skills from my father, an Architect and Artist, in a house with
white interiors that were full of all sort of artwork. He has
a very strong sense of design and is immensely creative, I have
always been greatly inspired by him. I remember that he was always
doing some thing creative. The most important to me was a red
terra cotta Chinese horse. We visited the stables and I watched
again as he made many drawings. He fired it in the kitchen oven,
it was beautiful and although it didn't last that long it had
a vast effect on me.
It was understood that I would study art but at one time I was
drawn between this and continuing to work with horses, which
I had been lucky enough to do for all of my childhood. |
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Horses have
always been an absolute passion but I realised it was the form
and feel of them that was important to me, the emotions I had
when I was able to capture and recreate that power and elegance.
I think it is only in the last few years that I have felt confident
in achieving it. |
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I studied sculpture
at Edinburgh College of Art in the early 80`s but made only a
few horses. I returned to them and painting after leaving the
city with a BA hons. My college years were spent studying the
roots of abstract art, both 2D and 3D. I have never seen myself
as a realist, my interests have always been in the structure
of the painted surface as well as the subjects form. I try to
focus on creating a "painting" not just a likeness. |
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However my love
of horses and dogs has often led me to paint them as truthfully
as I possibly can. I love to paint that velvet shine but I always
hope for a balance between realism and expression and an awareness
of the painting's individuality and power to create itself. |
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We lived in Burgundy,
France for several years where I became involved with the regional
heavy horses, riding and driving and painting, I didn't want
to come home. But I did and it marked a turning point for me,
a time to push to the forefront a passion, to look seriously
at what I do best. |
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This is however
my first exhibition, the walls of my house, like my father's
are littered with paintings. Now with a family of 4 children
growing more independent, "life begins at 40" chimes
a note of encouragement. I hope you enjoy the website, my new
venture, the painting is the easy bit. |
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I would
like you to see these details of four of the paintings. It is
very difficult to ensure that you see a true representation of
the works, on line, not a good medium for viewing art. Colour
and contrast will vary dramatically and if you are one up on
me and have wide screen, these images will be slightly distorted. |
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Two of my
three Longdogs, we compete for space in the studio. |
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